Edward Burne‑Jones (1833–1898) was a British painter and designer whose lyrical, medievalizing imagination imbued a dreamlike, symbolist atmosphere into late Victorian art. Born in Birmingham and educated at Exeter College, Oxford, he abandoned theology after meeting William Morris and Dante Gabriel Rossetti, forming lifelong artistic partnerships that shaped both his painting and his prolific work in stained glass, tapestries, and decorative arts. His breakthrough came with the 1877 Grosvenor Gallery exhibition, which established him as a leading figure of the Pre-Raphaelites and the Aesthetic Movement. Burne‑Jones believed that beauty is sacramental, that medieval art carries spiritual truth, and that modernity needs re‑enchantment.
“The more materialistic science becomes, the more angels shall I paint. Their wings are my protest in favor of the immortality of the soul.”
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